Suzi Lyon, Alice Springs, 2012
In responding to the premise
that those in the Territory who are from elsewhere fit into a nomadic genre, three
Alice Springs based artists come to discuss how they came to be here, in the
middle of nowhere, and what it means for them.
Many people
living in the central part of the Territory at least, come from elsewhere. Some
travel, linger, and years later realise they are still here. Others come for
specific jobs or projects, leave, leave not to return, or they return again and
again so that the lines that define where their home is, blurs. I personally
feel I have three homes: Alice, Northern New South Wales and New Zealand, and move regularly and easily between
the three to feed my soul rather than my body, to keep the links
and relationships with the familial, with other ways of being, and with other physical
properties of earth and sky.
And I do this
because I can. Time and space is traversed easily and frequently via online
airline bookings. Like a rubber
band with many trajectories, I and my fellow Centralians fling outwards to
every point of this land, and return.
Other journeying, usually of the family kind at the end of the year,
involves the big drives that eventually empty you out of this wide open land,
edging you into increasingly defined spaces that converge finally into the
constructed angles of towns and cities. The reverse drive, half way across the
whole continent, returns you to a small desert town in the middle of a blazing
summer, perhaps slightly shell shocked, and wondering why indeed you do live
here, or repeat this madness year after year. And there is the loss too, the
great loss of friends who move away, far away, and how easily and suddenly you
can feel abandoned and insignificant.
But as the summer eases, the year takes on its
momentum. The perspective of the country opens up into you, and you open up to
it. You can be reminded that here, in the middle of nowhere, there is more
active involvement and conscious awareness of the rest of this land, and
therefore this does feel like the middle of everywhere else.
And it is important not to forget those who are born
in this land, and whose land it is like none other. Working on an Alywerre
community, about a half day’s drive from Alice, I was with some men and we were
painting a mural together on a big tin shed. They were nice blokes, very
polite. They were smoking a lot of cigarettes, and I asked them if they could
smoke away from me, as it was making me cough.
Next moment when I looked up, they were nowhere to be
seen. I scanned the horizon, and there they were, having downed their paint
brushes, way over under the only tree in the vicinity, smoking.
Later I asked one of them, Richard, had he been away
from his country much?
He said yes, he had been to Adelaide once.
I asked him, how he had liked it down there.
Oh, I didn’t like it at all, he said, it was really
boring.
How come, I asked?
You couldn’t see anything was his reply. All the
buildings got in the way. If you wanted to see, you needed a hill, and they
were really hard to find.
I looked around me, past the smoking tree, out to the
few houses all painted a desert kind of pink, beyond the scattered hulks of
slowly disintegrating cars, desert grasses swaying in the wind, along the twisting line of red river gums along
the creek bed, up onto the red ridge of rocky outcrops, further to convoluting
ranges, on and on into a vastness of sky and space, and agreed that indeed you
could see an awful lot out here.
And this is why we are here.
List of Works
Suzi Lyon, Prayer
Swag, 2012, canvas,
cotton, straw, print
Suzi Lyon, Shaped
like a bird, 2012, digital
sound recording
J9 Stanton, Ode
to those who didn’t stay,
2012, projection and sound
Ben Ward, Environment
Map V3.1, 2012, enamel
teapot single channel eight hour video loop, iPod touch
Henry Smith, Terra Firma + Fire, 2012, oil on canvas
Henry Smith, Terra Firma + Water, 2012, oil on canvas
Henry Smith, John Hayes Rockhole, 2010, oil
on board
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