Chips
MacKinolty
Just who is a “real
Territorian”? and how should they be represented in a Territory that is the
domain of Aboriginal people, and Aboriginal artists?
Consider this: over the
last 20 years, the Territory’s population has risen by about 100,000 people. An
assumption is that a good proportion of this is down to migration of people
from interstate, a false idea.
In fact—since figures
were collected in 1982—there has been a net loss of population towards
interstate migration of around 14 or 15 per cent overall. On average, the NT
loses about 500 people a year are permanently leaving to live interstate.
The only accounting for
the growth in population is through international migration, natural increase
and the growth in the Aboriginal population, which has grown from 22 to 30 per
cent of our population since 1981.
They are, if anyone, the
“real Territorians” The rest of us are—by and large—the “real nomads”.
The recent re-run of the
debate about who is a real Territorian is a false one. The argument is mostly around
the circumstances, which allow some nomads to call themselves “Territorians”,
and those other nomads are to be dismissed as mere Southerners who should just go home and stop destroying our Territory Way of Life.
This
exhibition takes on the problem of the “art of the nomads”, with a handful of
developing Territory curators, Suzi Lyon,
Chips MacKinolty, Sarah
Pirrie, Chris Raja, Leanne Waterhouse & Siying Zhou . They in turn look at the work of J9, Rupert
Betheras, Simon Cooper, Sia Cox, Bill Davies,
Trevor Jenkins, Ian
Hance, Franck Gohier, Colin Holt, Suzi Lyon,
Chips MacKinolty, Rod Moss, Suzi Lyon, Henry Smith,
Ben Ward, Leanne
Waterhouse, Hayley West, Bronwyn Wright & Siying Zhou.
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